8/26/2023 0 Comments College board sat checklistThe rates for the next four years are as follows:Īdditionally, eligible students may use fee waivers to pay for national testing on the weekend. House Bill 3 (HB 3), which passed in the 86th legislative session, permitted the state to reimburse districts for the amount of fees paid by the district for the administration of a college preparation assessment. This means that eligible students may take one SAT, ACT, or TSIA in the spring of their junior year or during their senior year for free (at state cost)!Īs a result, TEA entered into a contract with the College Board to negotiate a statewide rate for SAT School Day. Students can also take the assessment on the weekend, especially if their school does not offer SAT School Day. Students can register individually and choose a date and testing site. Alternatively, administrators can order directly from the College Board website. Administrators can learn more about signing up for SAT School Day here. By administering the assessment on a school day, districts/campuses increase access and reduce barriers for many students who may not be able to test on a Saturday (i.e., working students, students without transportation, etc.). ![]() SAT School Day is an awesome opportunity for students to take the assessment on campus during the school day. Over 400 districts in Texas have participated in SAT School Day at least once in the last five years. There are several different ways students can register and take the assessments. Students and administrators/educators should consider similarities and differences between the college preparation assessments (SAT, ACT, and TSIA) and determine which one(s) is the best fit for the student. By taking a college preparation assessment, such as the SAT, Texas students expand the number of postsecondary options available to them. TEA supports and aligns with the Texas Higher Education Coordinating Board in their 60x30TX goal, which states that at least 60 percent of Texans ages 25-34 will have a certificate or degree by 2030. TEA recommends six steps for students and educators to prepare for and administer the SAT. Students may take the SAT for admission into a two- or four-year university, obtain scholarships, and/or assess their readiness for freshman-level college coursework. ![]() The SAT is an assessment created and administered by the College Board and has been used as a college admissions test since the mid-1920s.
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8/26/2023 0 Comments Autobot blaster meme![]() Although his fellow freedom fighters rallied behind him at first, the discovery that Scrounge had been taken to the Decepticon stronghold in Polyhex changed their minds, and Blaster went in alone. Part of Perceptor's Autobot resistance cell on Cybertron, he often disagreed with his superior's orders, especially after his friend Scrounge failed to make a rendezvous with him in the Dead End, and Blaster wanted to hunt for him. ![]() You know who you are.īlaster was a rather grim, brooding, rebellious, badass who hated Decepticons with a passion, whose reputation as one of the best fighters the Autobots had was blemished by his vocal problems with authority figures. Marvel Comics continuity Marvel The Transformers comics In some timelines which spin off from this one, Blaster joined the Interplanetary Personnel Exchange Program under the new name Broadblast (ブロードブラスト Burōdoburasuto), and after perishing in a one-on-one battle with Soundwave, was reconstructed by the super-science of the planet Master as Twincast (ツインキャスト Tsuinkyasuto). Blaster's duties also took him to a variety of battlefields that were stranger than many other Transformers would experience, including millions of years into the past, into another dimension ruled by magic, and-a particular favorite of his-the musical planet of Eurythma. Following this, Blaster was assigned command of the city, where his jive-talking jingles and jams saw the Autobots through crises like the attack of Trypticon. Developing a rivalry with his Decepticon opposite number, Soundwave, Blaster gained a cassette army of his own so he could fight Soundwave on equal footing, and he and little buddies were instrumental in ensuring reinforcements arrived in time to save Autobot City when it was besieged in 2005. Loud and energetic, he was quick to immerse himself in Earth culture, and was happy to share his choice of rockin' tunes with anyone, whether they really wanted to hear them or not-a trait that got him in trouble as often as it saved him and his Autobot allies. ![]() 1.9 Dreamwave Generation One continuityīlaster was a fun-loving, hip and happening robot. 8/26/2023 0 Comments Tico tico barenboim![]() ![]() ![]() Voigt is a vocally sumptuous although interpretively bland Helena, and Carl Tanner, if underpowered, brings more tonal allure to Menelaus’s impossible music than most tenors. For those who share the conductor’s enthusiasm, Telarc’s recording should make rewarding listening after the live-performance errors are patched up. There are gorgeous pages in this peculiar gloss on the postwar fate of Helen and Menelaus, but there are also long passages where the composer is clearly baffled by his librettist’s more esoteric flights of fancy, both in the original 1928 version (which Botstein prefers) and in the 1933 revision. This Strauss fan has been brooding over Die Ägyptische Helena for years but is still unconvinced, even by Botstein’s passionate advocacy (in my revisionist opinion, Strauss and Hofmannsthal reached their peak in Act One of Arabella). Then, too, Telarc was eager to record the opera with Voigt, now perhaps the leading Strauss soprano of the day, and here was one practical way to go about it. One is that Botstein is genuinely convinced that Die Ägyptische Helena is the misunderstood masterpiece of the Strauss-Hofmannsthal collaboration, and he plans to perform it until the rest of the world comes around. There are two possible explanations for this unexpected encore. Nothing if not persistent, Botstein and the ASO were back in Avery Fisher Hall recently, performing the same work, with Deborah Voigt once again singing the title role. It was nearly five years ago that leon Botstein led the American Symphony Orchestra in a concert performance of Richard Strauss’s Die Ägyptische Helena, the fifth and, according to conventional wisdom, the least of the composer’s six operatic collaborations with Hugo von Hofmannsthal. ![]() The Chicago Symphony has scarcely suffered under Barenboim’s leadership, and the sheer instrumental excellence of the playing was more than enough to start off Carnegie Hall’s new season on a high. I suppose anyone with many years of concertgoing might recall more stylish readings of these works (surely Ravel performances reached some kind of peak during Charles Munch’s reign over the Boston Symphony in the fifties), but I’m not inclined to complain. The CSO was also more or less on its own while Barenboim tended to the relatively modest yet omnipresent piano part of Falla’s Nights in the Gardens of Spain. Luckily, Barenboim allowed the music to speak for itself – he even stood mostly motionless, hands at his side, during the Boléro and let his virtuoso band develop this orchestrational tour de force. Such grandiose sophistry is hardly necessary, but this conductor has always had a way of making simple things seem complicated. Still, it seemed a bit much for conductor Daniel Barenboim to suggest that the four Ravel scores – Rapsodie Espagnole, Pavane Pour une Infante Défunte, Alborada del Gracioso, and Boléro – were consciously ordered to correspond to the traditional movements of a symphony. Nothing wrong with that – New York’s musical institutions have launched their new seasons with far less substantial fare, and the works heard on this occasion are popular for very good reasons. That gives you an idea of the easy-listening musical tone of the evening, an affair dominated by the Spanish-flavored works of Manuel de Falla and Maurice Ravel. Photo: Hiroyuki Itoįor its final encore at carnegie Hall’s opening concert of the season, the Chicago Symphony Orchestra sailed into “Tico-Tico,” a Brazilian specialty number made famous 60 years ago by that small icon of forties film camp, pop organist Ethel Smith. EASY LISTENING: Barenboim leads the CSO in a safe program at Carnegie. |
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